šŸŽ§ Movies for the Mind šŸŽ§

Storytelling for Audio

What do Doctor Who, Malory Towers, and Manchester’s ALL FM 96.9’s continuing drama ā€˜Station Road’ all have in common?

Me and my love for stories that come to life through the medium of sound.

I’m thrilled to represent the University of Salford’s Northern School of Writing by running my Writing for Audio workshop ā€˜Movies for the Mind’ as part of this year’s Festival of Libraries.

Broadcasting legend Terry Wogan once said, ā€œTelevision contracts the imagination and radio expands itā€, and I agree with that statement. When I listen to an audio drama, I actively visualise the narrative I’m hearing, which will look different to the next listener and the next.

When I write for audio, I imagine one listener. That one person who is wearing a set of headphones and listening to my story. My characters, words, and chosen sounds playing into a person’s ears make writing for audio a magical, personal and intimate experience.

No costumes to consider. No sets. No huge budget. Just voices, sound, silence—and the listener’s imagination. Whether I’m dreaming up an episode of sci-fi, a school-based story, or a brand new continuing drama set in Manchester, audio storytelling is the most intimate and visual form of writing there is.

Who Am I?

Over the past few years, I’ve written for:

  • For two years, I was part of the writing team behind Station Road, a much-loved soap on ALL FM 96.8, a Manchester community radio station
  • Wythenshawe FM’s first audio nativity play A Wythenshawe Tale

I’ve learned loads about what makes audio tick—and I want to give my top tips to budding audio writers.

What You’ll Learn

In this hands-on, friendly and welcoming workshop, we’ll explore:

  • Writing dialogue that feels real and alive
  • How to create atmosphere and tension with sound cues and silence
  • Structuring stories for the ear, not the eye

Whether you’re a writer curious about audio, a podcaster looking to sharpen your storytelling, or just someone who loves a good story, this session is for you.

Event Details

šŸ“… Thursday 5 June 2025
šŸ•’ 17:00 – 19:00
šŸ“ Prestwich Library, Longfield Centre, Prestwich, Manchester, M25 1AY
šŸŽŸļø Book here

Bring your ears, ideas, pen, and love of story.

#FestivalofLibraries

Listen to the trailer for my episode of Susan’s War Family Ties.

Winter 2017

Big news: I completed my #100daysofwriting challenge which I started just before New Years Eve and I’ve written a separate blog https://sarahcassidy.net/2018/04/18/challenge-100daysofwriting/

January – and what better way to start 2018 than joining a new writing group called Writers Support Group. I love many things about this group; it caters for writers at all levels, it is flexible so you can just turn up, the group is a mix of actors/writers which is incredibly beneficial for script reads and each week there are different writing exercises to do. In fact, the new play that I have just started working on was sparked from one of those exercises.

Speaking of writers groups.Ā  I attended a weekend writers retreat at Whalley Abbey with another writing group that I’ve been part of since I finished my MA and that is the outstanding Scriptwriting North. Spending three days in a relaxing, tranquil Abbey in Lancashire was a perfect setting to write with no interruptions or distractions (photo @scriptsnorth) .

I began teaching a beginners playwriting course at my local library in January. A six-week absolute beginners programme that I’d written for people who live in Wythenshawe. What a wonderfully, fulfilling six-weeks it was. A perfect introduction to teaching for me, and one which I would like to develop further later in the year.

February – and I attended a magnificent celebratory evening at Manchester’s Central LibraryĀ for the Suffragette Tea Party organised by Manchester Women’s Words. Cucumber sandwiches, cake and tea hosted in a room fit to burst with incredible females. Spoken word artists, singers, actors and musicians all came together to celebrate 100 years since the vote for women was rolled out to a few. I felt incredibly privileged to even be there, let alone sip tea with novelists, poets, teachers and even the the Mayor of Manchester.

Speaking of tea. I met with one of organisers of Altrincham Word Fest in a Didsbury tea shop to discuss becoming involved in this years festival. One of the most enjoyable parts of scriptwriting for me is the creation of characters. I use a number of processes when developing characters which I’ll be displaying in my workshop at the festival.

March – and it was a busy month for me as my Everyman deadline whooshed by. Slight relief to let it breathe for a couple of months until it has a read through. Read about how that went in my Spring blog post.

I also attended a storylining workshop for a well known continuing drama show. A brilliant experience at how stories are created and developed. And even more thrilling was that I got to see inside the new studios. Pulling a pint in the Rovers to selling a copy of the Weatherfield Gazette at The Kabin. As a lifelong Ā fan it was a magnificent treat to tour the studios and see where it all happens.

The last bit of news is that I’m now reading scripts for two Manchester theatre companies which I am thrilled about as I enjoy reading new writing.

I’ve been reading a lot of play texts too. My top three winter reads are:

1) Girls and Boys by Dennis Kelly

2) And No More Shall We Part by Tom Holloway

3) Pomona by Alistair McDowall

Coming up in Spring 2018

Character Workshop at Altrincham Word Fest on Sunday 13 May 2018

Coronation Street Villains at Salford Art Gallery on Wednesday 23 May 2018

Countdown to the Greater Manchester Fringe Festival

Hello world.

The first blog post carries with it so much pressure.

Be witty, say something outstanding, be different, make a bold statement.

Here’s the ‘bold statement’ then.

I have exciting news.

My fantastic, funereal farce Bleeding with Mother is part of this years Greater Manchester Fringe Festival.

BWM revised May 2017 poster

We open on the 4th July at 7pm at Theatre 53Two. The hottest new theatre space in the city of Manchester, and the perfect location to resurrect ā€˜Mother’

Following on from the success of the previous production last year, I am delighted to have obtained the original cast.

Excitingly, director Emma Bird is a welcome recruit to the Bleeding team fresh from directing our very own Randall (Pete Gibson) in his monologue performed in North West Wonders.

Rehearsals began this weekend so please come back to my website as I’ll ensure that I keep you up to date. This year I have the added pressure of producer so if it all goes wrong……well that’ll be the plot for the next play that I write.

It would be wonderful to see as many people as possible for our Bleeding fantastic show.

Performances are on Tuesday 4th July, Wednesday 5th July and Thursday 6th July at 7pm. To buy them click here.

There will also be limited copies of the playtext available to purchase on the night.

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